Say You Will is the 17th and most recent studio album by British-American rock band Fleetwood Mac, released on 15 April 2003.It was the band's first studio album since 1995's Time and the first without vocalist/keyboardist Christine McVie, who had left the band in 1998 although McVie made some brief appearances on the album. Lindsey Buckingham took over primary keyboard duties for the album. Apr 15, 2003. Fleetwood Mac’s 2003 album Say You Will featured ‘Say Goodbye’, written by Lindsey Buckingham to gain some closure from his relationship with Stevie Nicks. This performance of ‘Say Goodbye’ is powerful, powerful, powerful – to some it may look like just a duet, but for those of us who grew up with one of the most famous couples in rock and roll, it’s the closest we’ll ever get. Fleetwood Mac's second album after the incorporation of Nicks and Buckingham, 1977's Rumours, produced four U.S. Top 10 singles (including Nicks' song 'Dreams', which was the band's first and only U.S. Number one) and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world.
(Redirected from Live in Boston (2004))
Live in Boston is a live performance video/music album by British-American rock band Fleetwood Mac, released on 15 June 2004. The concert was filmed on 23–24 September 2003 at the FleetCenter (now known as the TD Garden) in Boston, Massachusetts during the group's Say You Will Tour. The concert is a double DVD set, and also comes with a sampler CD, containing the audio of ten songs from the show. Part of WTTW's Soundstage series which also chronicled Buckingham and Nicks solo in 2005 and 2008 respectively.
DVD track listing[edit]DVD 1[edit]
DVD 2[edit]
++ Does not appear in the Soundstage episode that aired on PBS.
CD track listing[edit]
The following songs are included on a CD that comes with the double DVD set.
Selections from Live in Boston[edit]
The following tracks are available for download from most download services.
Vol. 1[edit]
Vol. 2[edit]
Personnel[edit]
Fleetwood Mac:
Additional Personnel: Free download xdcam transfer mac.
Production[edit]
Photography by Neal Preston and Karen Johnston
Music mixed by Ed Cherney and Mark Needham
Live Recording by David Hewitt on Remote Recording Services Silver Truck
References[edit]
Fleetwood Mac Say You Will
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Fleetwood_Mac:_Live_in_Boston&oldid=979079806'
Fleetwood Mac – Say You Will (2003/2014)FLAC (tracks) 24 bit/96 kHz | Time – 01:16:04 minutes | 1,66 GB | Genre: Rock Studio Masters, Official Digital Download | Front Cover | © Rhino – Warner Bros.
Say You Will is the 17th studio album by British-American rock band Fleetwood Mac, released on 15 April 2003. It was the first Fleetwood Mac album since Kiln House in 1970 that did not include tracks written by vocalist/keyboardist Christine McVie, who had left the band in 1998. It was however the band’s first studio album since Time was released in 1995. Members Lindsey Buckingham, Stevie Nicks and John McVie shared keyboard duties for the album, though Christine McVie is featured on two songs which had been originally recorded for an unreleased Lindsey Buckingham solo album (tracks 13 and 14). It also marks the first album in 16 years to feature Buckingham as a full-time member.
Say You Will was the first studio Fleetwood Mac album to peak in the top 3 in the US since 1982’s Mirage.The album debuted at No. 3 with sales of 218,000, spent two months within the top 40, and was certified Gold by the RIAA in July 2003 for 500,000 copies shipped in the US. It debuted on the UK charts at No. 6 with sales of approximately 34,000 and has also been certified Gold for 100,000 copies shipped. It has sold over 150,000 copies in the UK.
Lindsey Buckingham hadn’t recorded a studio album with Fleetwood Mac in 16 years when Say You Will was released in April 2003. His partner, Stevie Nicks, had been missing in action from the group since 1990, and while both joined the reunited group in 1997 for a tour and live album (The Dance), not to mention Bill Clinton’s 1993 inauguration, it had been a long, long time since the two made new music for the Mac. They were lured back into the fold for…well, the specifics — whether money, prestige, status, publicity, or creativity — don’t really matter, since the end result is the same, it’s that Buckingham and Nicks have come home. This doesn’t qualify as a full-fledged Fleetwood reunion, since Christine McVie isn’t here, choosing to opt out of this high-profile return to the breach (although her playing is occasionally heard on the album). This results in a record that never quite sounds like Fleetwood Mac. Mick Fleetwood and John McVie are so grateful to have the two superstars back in the group that they cede ground to Buckingham and Nicks, who never collaborate as much as share space. Each singer/songwriter is given nine songs apiece, a move which, in itself, would not necessarily be a problem, but over the course of this lengthy, lengthy album, the evenhandedness starts to give the impression that this is two solo albums presented as a group effort. An assessment that’s a little harsh, since the group can still conjure echoes of their classic sound, but the division of work is so deliberate and their work so dissimilar, it can’t help but feel like two separate pieces pushed together to make the whole. Which is where Christine McVie becomes a critical factor. While never a star like Nicks, nor possessing the mad genius of Buckingham, McVie was a strong, likeable songwriter whose gently melodic works balanced the extremities of her bandmates while also forcing them to choose the best material to fit the record. Add to this that Fleetwood Mac have decided to run wild with the length of a CD, producing a record that is significantly longer than the messy, chaotic Tusk, but without its inspired insanity or depth of sound and character. Here, even if most songs are in the four-minute ballpark, they all feel longer, partially because the album clocks in at nearly 80 minutes and the sequencing flows as it was designed by committee. So, Say You Will winds up occupying a strange middle ground, often feeling as if it was Lindsey Buckingham and Stevie Nicks’ albums bouncing around on shuffle play, but also occasionally flashing moments that are purely, satisfyingly Fleetwood Mac. Although there are occasional misguided attempts to modernize the songs — most notably drum loops on some of Nicks’ songs — none of the songs sound as if the band were forcing themselves to sound contemporary. Sure, it sounds commercial, but that’s the band’s idiom — what’s important is that it never sounds compromised, it sounds as if the band is at once trying too hard while being unwilling to sacrifice individual moments for the greater good. So, Say You Will straddles many lines at once. Nicks’ material is better-realized than many of her recent albums, but Buckingham’s always sounds as if it should be wilder than it is (it should all sound as unrestrained as his guitar, which is continually surprising throughout the record). It never sounds like classic Fleetwood Mac, nor does it sound modern. It often sounds like solo albums, but without the freedom that allows. Most of these problems derive merely from the length. Cut out half of the record — have it weigh in at nine or ten songs and run no longer than 45 minutes — and it would have been a good, solid comeback, perhaps even eclipsing the uneven Tango in the Night. But there are too many songs, simply too much to make Say You Will work, even if there is enough to admire to make you wish it did.
Tracklist:
01. What’s The World Coming To 02. Murrow Turning Over In His Grave 03. Illume (9-11) 04. Thrown Down 05. Miranda 06. Red Rover 07. Say You Will 08. Peacekeeper 09. Come 10. Smile At You 11. Running Through The Garden 12. Silver Girl 13. Steal Your Heart Away 14. Bleed To Love Her 15. Everybody Finds Out 16. Destiny Rules 17. Say Goodbye 18. Goodbye Baby
Personnel:
Lindsay Buckingham, vocals, guitar, keyboards, percussion Stevie Nicks, vocals, keyboards John McVie, bass Mick Fleetwood, drums, percussion
Recorded at Cornerstone Recording Studios, Lindsey’s Garage, Ocean Way Recording and The Bellagio House
Engineered by Ken Allardyce, Ken Koroshetz, Lindsey Buckingham, Mark Needham Mixed by Chris Lord-Alge, Mark Needham Produced by Lindsey Buckingham, Rob Cavallo, John Shanks
Digitally remastered
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